help to support our Rogumentary film project.
Come dressed as any film character, dance to great MUSIC,
enjoy our COCKTAIL BAR with famous film cocktails
and win a nice prize in our TOMBOLA.
The party will support filmmakers from all over Europe
to come to Rog and present their documentaries in Živko Skvotec.

In February our first guest will be Jiří Stejskal,
who will come from Prague with his documentary “Jama”.
Other films from January to March will be
“No Cow on the Ice” from Eloy Dominguez Seren,
“Something Better to Come” from Hanna Polak and
“End of the World” by Monika Pawluczuk.
Other guests, such as Pietro Pasquetti, Loredana Bianconi,
Laila Pakalnina and Salomé Lama are planned
to attend screenings of their films during the year.

Thank you for your support, and we look forward to seeing you on 19 January!


ROGumentary provides free documentary screenings
in Živko Skvotec (Tovarna RogTrubarjeva 72 in Ljubljana.

The screenings are held every two weeks on Wednesdays at 20h.
Concrete dates will be provided  in advance.

All films are shown in original language with English subtitles.



by Eloy Domínguez Serén

Spain 2015 / 63 min

Language and landscape as a gate into a new life.
A young Galician filmmaker emigrates to Sweden,
where he performs different part-time jobs.
His learning of a new language and fascination for the Swedish landscape
become a driving force against the difficult life conditions.
As he learns about the culture, society and lifestyle,
he develops a new identity.

Evoking Jonas Mekas might not be inapropriate to introduce
this personal filmed diary, especially in regard to the richness of the situations
and the delicate and visually graceful approach.
Having in mind the historical perspective of his grandparent’s emigration,
Domínguez Serén’s core focus – and the one underlying today’s human migration
– is undoubtedly the acquisition of a new language, which allows to develop
a deep relationship with both a new landscape and a different human culture.
Filmed over several years, the filmmaker manages, with a very accurate editing,
to capture this long process, which starts with silent solitary thoughts
and evolves into communication.

World Premiere at Visions du Réel (Switzerland), Official Competition.
National Premiere at Göteborg Film Festival.
Award for the Best Film at Play-Doc.
Award for the Best Documentary Film at Festival du Cinéma Espagnol de Toulouse.
Award for the Best National Film at Filmadrid.
Award for the Best Screenplay at L’Alternativa. Barcelona Independent Film Festival.
Award DOCMA for the Best Film at Alcances.
Special Mention of the Jury at CEME DOC (Mexico).

DOM PLAKAT (Kopie).jpg

Dom / Home by Metod Pevec

Slovenia 2015 / 82 min

As a result of the privatization process, a five-storey building with three entrances,
originally built as a temporary workers home mainly for guest construction workers
from Bosnia,  is now shared by nineteen owners.

Men that live there, came to Slovenia as young lads and spent 30 years
working on various construction sites throughout Slovenia.
When the construction companies they worked for went bankrupt,
they lost everything, and their bankrupt employers owe them lot of money.
The first floor is occupied by adolescents who come from disturbed families
and prefer the welfare youth home.
A few tenants found refuge here in this cheapest accommodation facility,
because they had been evicted from their former apartments.

The house is large, but for most of its residents the accommodation here
means that they have just a bed and not much else.
Nobody calls it a home; they all thought it would be just a temporary solution,
but sometimes this temporariness drags on endlessly.

Besides social marginalization they have something else in common: stories.


Pet nadstropij, tri vhode in devetnajst lastnikov ima po privatizaciji dom,
ki je bil zgrajen kot samski dom gradbenih delavcev.

V njem živijo možje, ki so kot mladeniči prišli iz Bosne,
trideset let kot gradbeni delavci gradili Slovenijo in po bankrotu teh podjetij
ostali brez vsega, propadli lastniki pa so jim ostali dolžni veliko denarja.
V prvem nadstropju stanujejo mladostniki, ki so ušli iz ponesrečenih družin
in jim je ljubše socialno skrbstvo mladinskega doma.
Tukaj so deložiranci, ki iščejo najcenejšo streho nad glavo.

Hiša je velika, vendar ima večina v njej samo ležišče; nihče ne reče,
da je tukaj doma; vsi so prišli začasno, vendar se včasih začasnost zelo zavleče.

Poleg socialne odrinjenosti imajo še nekaj skupnega: zgodbe.


Rogumentary meets Luksuz (Kopie)

Rogumentary meets Luksuz

On Wednesday, 20.12. at 20 h Rogumentary will host a movie night
of short films from Luksuz  production from Krško.
We will watch 8 short documentaries from 2003 until today with
English subtitles. The screening includes snacks, drinks and a debate.

Občinski svetnik,  5’16” (2003)
Jabolčne migracije, 10’12” (2009)
Domoljub, 4’56” (2009) 
The Invisibles, 9’50” (2011)
Lenča Ferenščak, 7’30” (2013)
Pri našem delu, 8’13” (2013)
Food anarchy,  8’10” (2014) 
Brez žice, 4′ (2016)

Join us!

Luksuz production is a video production of the Society of allies for soft landing (DZMP),
which was created as a reaction to “the apathy of cultural events for youngsters and
general insensitivity for distress of other people”. With their action they offer practical
film education to young people and contribute to the recognition of independent film. A
number of awarded films was made under their mentorship. On FSF (Slovene Film
Festival) in 2003 they also received the Vesna Award for special achievements.


V sredo, 20.12, bodo v Rogumentary potekale projekcije kratkih filmov Luksuz
produkcije iz Krškega. Ogledali si bomo 9 kratkih dokumentarnih filmov od leta 2003 pa
do danes z angleškimi podnapisi. V ogled so vključeni prigrizki, pijača in debata.


Luksuz produkcija je video producija Društva Zaveznikov Mehkega Pristanka (DZMP), ki
je nastalo “kot odziv na pomanjkanje kulturnega dogajanja za mlade in splošno
neobčutljivost za stisko drugih”. S svojim delovanjem nudijo mladim praktično filmsko
izobrazbo ter prispevajo k uveljavljanu neodvisnega filma.
Pod njihovim menstorstvom je nastalo že veliko nagrajenih filmov,
2013 so na FSF prejeli tudi Vesno za posebne dosežke.



Mama je ena sama / Tatjana in motherland
a documentary by Miha Čelar

Slovenia 2014 / 60 min

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men.
It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way.
The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type
and her relationship with her son, in which she through emotional manipulation,
by constantly creating feelings of guilt, burdens her son to such a degree,
that he remains dependant on her for the rest of his life. In order to put this relationship
to its best use, all Slovenian governing structures have elevated mother figure on the level
of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult
is a typical Slovene male, who is pathologically obsessed with his mother.
Due to an absent father he is not morally introduced into society, whereas the mother
continually rewards his childish behaviour. He is stuck in his development,
filled with envy and jealousies. On average, he enters society only after 32,
highly educated but with a low self-esteem and an insatiable need for admiration.
He usually becomes an alcohol-addicted compulsive-creative artist or a narcissistic businessman,
who treats people like figures, a politician who can only lead according to the principle
of Divide and Conquer or even a sociopath murderer. Slovenia is one of the smallest
European countries with a population of 2 million. It has a most unusual geographical shape,
reminiscent of a protective mother-hen guarding her eggs.

More information at:

60 min / dokumentarni, srednjemetražni film

Mama je ena sama je delno animirana dokumentarna filmska zgodba,
ki razkriva značilen slovenski arhetip mučeniško – posesivne matere.
Gre za odnos pri katerem mati s čustveno manipulacijo, vlogo žrtve,
telesnimi kaznimi ali čustveno zlorabo, v otroštvu tako močno zaznamuje sina,
da ta ostane od nje odvisen vse svoje življenje. V Sloveniji kjer ima mati v družbi
kultno vlogo pa s tem likom že od protestantizma naprej manipulirajo tudi vsi vladajoči režimi,
na čelu s slovensko katoliško cerkvijo. Rezultat materinskega kulta in režimskih manipulacij
pa je tipičen slovenski moški, ki je patološko okupiran sam s sabo in s svojo materjo in
ob šibkem očetu v svojem življenju in družbi lahko deluje le retrogradno in razdruževalno.
Zlahka postane ojdipovski umetnik, sociopatski morilec ali narcisoidni politik,
ki zna ljudi voditi le po načelu Devide and conquer!
Glavna protagonistka filma je Tatjana Kneževič, učiteljica angleščine in voditeljica
na alternativnem ljubljanskem radiju – Radio Študent. Tatjanin motiv v zgodbi
pa je povsem nepolitičen in praktičen; pri svojih 33 letih si želi poiskati slovenskega
fanta s katerim bi lahko ustvarila partnerstvo in družino.

»Ko sem se lotila raziskave slovenskih moških sem ob štirih najbolj znamenitih odkrila
šokantno podrobnost; Največji slovenski pisatelj, največji pesnik, svetovno znani slovenski diktator
in največji slovenski serijski morile, so zrastli ob močni posesivni materi in odsotnem očetu…«

ROGumentary provides free documentary screenings in
Živko Skvotec (Tovarna Rog), Trubarjeva 72 in Ljubljana (Slovenia)
from December 2017 on. The screenings will be
held every two weeks on Wednesdays at 20hs.
Concrete dates will be provided in advance.

We already screened the following two films during the
Ordinary October Revolution Festival

DAWN RGB (Kopie)


Latvia, Estonia, Poland 2015 / 96 minutes
Eleven‐year‐old Janis denounces his father. As an exemplary pioneer living
on a Soviet collective farm called Dawn, he realizes enemies of the system
lurk everywhere. Even his loved ones could be conspiring against the collective
and its authority. The boy’s father is not beholden to him and starts a vendetta.
The starting point for Janis’s story in Laila Pakalnina’s Dawn comes from the
life of Pavlik Morozov, one of Stalin’s martyrs, who, in the early 1930s,
betrayed his family and was murdered. At the same time, the director
was inspired by the screenplay to Sergei Eisenstein’s Bezhin Meadow.

Dawn portrays the oppressive, suffocating world of the Soviet system,
which was dominated by absurdity. Pakalnina and cinematographer
Wojciech Staron have created one of the most interesting and most
original snapshots of totalitarian reality.
This is Pakalnina’s fifth feature film.

Laila Pakalnina, sicer priznana dokumentaristka, se v svoji tragikomediji
o kolhozu, Zora, pokloni mitom sovjetskega mučenika Pavlika Morozova,
sovjetske režiserske legende Sergeja Eisensteina in estetike sovjetskega filma.
Ob tem ji uspe proizvesti film, ki osupne s svojo izbiro kadrov, perspektiv
in premikov s kamero. Komičnost je subtilna,
kritika ostra in vsak detajl je pomemben.


a documentary by LOREDANA BIANCONI 

Belgium 1997 / 116 minutes

In Italy, in the mid-1970s, Adriana, Barbara, Nadia and Susanna
were 20 years old when they decided to join the armed struggle
and leave behind their social life and their families in order to make
the revolution the centre and the aim of their existence. Today they
reappear, after many years in prison, and they try,
each of them, to recount their own experiences.

They speak about the political reasons which initially sustained them,
the conflicts, the doubts, and the moments of being torn apart, which marked
out their lives as women caught up in the vortex of war. A course of events
which ended in the condemnation of the armed struggle and the pain of the lives
that were destroyed – their victims’ lives and their own.

– Loredana Bianconi

“Italija, sredi sedemdesetih: Adriana, Barbara, Nadia in Susanna so stare
dvajset let, ko se pridružijo oboroženemu gibanju. Odrekle so se družabnemu
življenju in družinam in se posvetile revoluciji, ki je postala središčna točka
in smisel njihovega življenja. Danes, po mnogih letih zaporniškega življenja,
poskuša vsaka zase ponovno pretehtati svoje izkušnje. Pripovedujejo
o političnih razlogih, ki so jim sledile, o konfliktih, dvomih in uničujočih
trenutkih, ki so zaznamovali njihovo življenje, ujeto v vrtincu vojne.
Razvoj dogodkov je pripeljal do dokončne obsodbe oboroženega
boja in povzročil bolečine ob uničenih življenjih –
tako žrtev kot njihovih lastnih.”

– Loredana Bianconi